Brazilian TV icon Silvio Santos passes away at 93

Huston Recent Editorial Team
2 Min Read

The Legacy of Silvio Santos: A Brazilian Television Icon

BRASILIA – Silvio Santos, a Brazilian television executive and presenter known for his beaming smile and catchphrase “Who wants money?” has passed away at the age of 93, leaving behind a lasting legacy in the entertainment industry.

Santos, who owned the television network SBT, was the creator of several iconic variety shows, with the most famous one bearing his own name. His shows, including “Show of the Million” and “Artists’ House,” captivated audiences for decades and became staples of Brazilian television.

His jovial demeanor and generosity endeared him to millions of viewers who tuned in to watch the “Silvio Santos Program” every Sunday night. Known for giving away cash prizes and engaging with his audience, Santos became a beloved figure in Brazilian households.

His recent passing due to bronchopneumonia resulting from an H1N1 infection has left a void in the hearts of many Brazilians who grew up watching his shows.

Throughout his career, Santos was praised for his charisma and business acumen, with Forbes magazine even comparing him to international media moguls like Oprah Winfrey and Steven Spielberg.

Despite some controversial remarks and accusations of misogyny, Santos remained a dominant force in the media landscape, expanding his empire to include ventures in cosmetics, hotels, and banking.

His influence extended beyond television, with political parties considering him as a candidate for office, although he was barred from running due to his ownership of a television network.

As tributes pour in from politicians and fellow celebrities, Santos’ impact on Brazilian culture and entertainment remains undeniable. His six daughters and wife, Iris Abravanel, carry on his legacy, ensuring that his memory lives on in the hearts of the nation.

AP writer David Biller contributed from Rio de Janeiro

Copyright 2024 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed without permission.

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