Remembering Broadway Star Gavin Creel
It is with heavy hearts that we say goodbye to Gavin Creel, a beloved Broadway musical theatre veteran who left a lasting impact on the industry. Creel, known for his Tony Award-winning performance in “Hello, Dolly!” and his work in productions like “Hair” and “Thoroughly Modern Millie,” passed away on Monday at the age of 48.
Creel’s publicist, Matt Polk, confirmed that the talented actor succumbed to metastatic melanotic peripheral nerve sheath sarcoma, a rare and aggressive form of cancer, after being diagnosed in July 2024.
Throughout his career, Creel showcased his versatility by excelling in both Golden Age Broadway revivals and contemporary musicals. He won acclaim for his portrayal of Dr. Pomatter in Sara Bareilles’ “Waitress” and earned an Olivier Award for his performance in “The Book of Mormon.”
Renowned composer and playwright Lin-Manuel Miranda fondly remembered Creel as the first King George III in the early stages of the groundbreaking musical “Hamilton,” praising his charisma and talent.
Creel’s journey in the theater world began in Findlay, Ohio, and took him to the University of Michigan School of Music, Theatre & Dance. He rose to prominence with roles in productions like “Thoroughly Modern Millie” and Stephen Sondheim’s “Bounce,” directed by Hal Prince.
His impactful performances continued with appearances in revivals of “La Cage Aux Folles” and “Hair,” as well as a standout role in the smash hit revival of “Hello, Dolly!” alongside Bette Midler and David Hyde Pierce.
Offstage, Creel advocated for social causes and co-founded Broadway Impact to support the federal Marriage Equality Act. He also showcased his talent in films and television, leaving a lasting legacy beyond the stage.
Gavin Creel’s extraordinary talent and spirit will be deeply missed, but his legacy will live on in the hearts of fans and colleagues alike. Our thoughts are with his family, friends, and partner during this difficult time.
Copyright 2024 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed without permission.