Francis Ford Coppola believes he can stop time. And no, he’s not talking about film editing tricks. In his new film, “Megalopolis,” Coppola introduces us to Cesar Catilina, a visionary architect played by Adam Driver, who has the power to freeze time with a simple command – “Time, stop!”

But for Coppola, stopping time goes beyond the silver screen. At 85 years old, the loss of his wife, Eleanor, earlier this year, has made him acutely aware of the fleeting nature of time. “Megalopolis,” dedicated to his late wife, marks his return to filmmaking after 13 years of absence.

The film, set in a modern New York, is a culmination of over four decades of pondering for Coppola. It’s not just about epic visuals and grand storytelling; “Megalopolis” is a heartfelt message from a master filmmaker about the boundlessness of human potential.

Despite the film’s extravagant budget and mixed reception at Cannes, Coppola remains undeterred. With “Megalopolis,” he is making a bold statement about the future of cinema, challenging the norms and embracing the unknown.

In a time when the industry is driven by algorithms and safe bets, Coppola’s defiance stands out. He envisions a future where cinema is alive, ever-changing, and unrestricted by rules. “Megalopolis” is not just a film; it’s a testament to the enduring spirit of a true cinematic maverick.

As Coppola prepares for the release of “Megalopolis,” he remains focused on the possibilities of tomorrow. The film may not be a commercial success, but for Coppola, it’s a labor of love and a reminder that true artistry lies in taking risks and following your heart.